By Peter Stockinger
Today, audiovisual data and libraries became highly regarded particularly within the box of accumulating, retaining and transmitting cultural historical past. notwithstanding, the information in those data or libraries - video clips, photos, soundtracks, and so on. - represent as such basically capability cognitive assets for a given public (or “target community”). essentially the most the most important problems with electronic audiovisual libraries is certainly to allow clients to actively applicable audiovisual assets for his or her personal crisis (in examine, schooling or the other specialist or non-professional context). this suggests, an model of the audiovisual information to the explicit wishes of a consumer or person staff may be represented by way of small and closed "communities" in addition to by way of networks of open groups round the globe.
"Active appropriation" is, essentially conversing, using present electronic audiovisual assets via clients or consumer groups based on their expectancies, wishes, pursuits or wants. This technique presupposes: 1) the definition and improvement of types or "scenarios" of cognitive processing of movies by means of the person; 2) the provision of instruments worthwhile for outlining, constructing, reusing and sharing meta-linguistic assets similar to thesauruses, ontologies or description types by means of clients or person communities.
either features are vital to the so-called semiotic flip in facing electronic (audiovisual) texts, corpora of texts or back complete (audiovisual) data and libraries. They reveal essentially and theoretically the well known “from info to metadata” or “from (simple) info to (relevant) wisdom” challenge, which evidently without delay impacts the potent use, social influence and relevancy, and consequently additionally the long run, of electronic wisdom data. This booklet deals a scientific, finished method of those questions from a theoretical in addition to useful aspect of view.
Part 1. the sensible, Technical and Theoretical Context
1. research of an Audiovisual Resource.
2. The Audiovisual Semiotic Workshop (ASW) Studio – a short Presentation.
three. A Concrete instance of a version for Describing Audiovisual Content.
four. version of Description and activity of Analysis.
half 2. projects in studying an Audiovisual Corpus
five. The Analytical activity of “Describing the information Object”.
6. The Analytical activity of “Contextualizing the area of Knowledge”.
7. The Analytical activity of “Analyzing the Discourse construction round a Subject”.
half three. strategies of Description
eight. Definition of the area of information and Configuration of the Topical Structure.
nine. The process of unfastened Description of an Audiovisual Corpus.
10. The approach of managed Description of an Audiovisual Corpus.
half four. The ASW approach of Metalinguistic Resources
eleven. an outline of the ASW Metalinguistic Resources.
12. The Meta-lexicon Representing the ASW Universe of Discourse.
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