By Christoph Henke
While the preferred speak of English good judgment within the eighteenth century may appear a derivative of conventional Enlightenment discourses of rationalism and empiricism, this e-book argues that phrases equivalent to ‘common feel’ or ‘good feel’ will not be easily synonyms of utilized cause. to the contrary, the discourse of good judgment is formed by means of a protective impulse opposed to the totalizing highbrow regimes of the Enlightenment and the cultural weather of swap they advertise, as a way to include the unbounded discursive proliferation of contemporary studying. consequently, good judgment discourse has an essential regulatory functionality in cultural negotiations of political and highbrow switch in eighteenth-century Britain opposed to the backdrop of patriotic nationwide self-concepts. This examine discusses early eighteenth-century good judgment in 4 vast complexes, as to its discursive features that are moral (which at the moment implies aesthetic as well), transgressive (as a corrective), political (in patriotic constructs of the nation), and repressive (of otherness). the choice of texts during this examine moves a stability among dominant literary tradition – rapid, Pope, Defoe, Fielding, Johnson – and the outer edge, reminiscent of pamphlets and journal essays, satiric poems and patriotic songs.
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