By Heather Platt,Peter H. Smith
Contributors to this fascinating new quantity research the intersection of constitution and that means in Brahms's track, using quite a lot of ways, from the theories of Schenker to the latest analytical options. They mix a variety of viewpoints with the semiotic-based methods of Robert Hatten, and tackle a number of the most crucial genres during which Brahms composed. The essays show the expressive strength of a piece in the course of the comparability of particular passages in a single piece to related works and during different inventive nation-states akin to literature and portray. the results of this intertextual re-framing is a brand new know-how of the meaningfulness of even Brahms’s so much "absolute" works.
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