By Wade Hollingshaus
InPhilosophizing Rock functionality: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes in this concept through embracing a collection of historiographical logics that re-imagine those 3 artists. Noting how Dylan, Hendrix, and Bowie first tested their reputations amid the anti-establishment sentiments that emerged in Western counties in the course of the Sixties and early Seventies, he connects them with the concurrent formative section of Continental philosophy within the paintings of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Rancière, man Debord, and Michel Foucault. In Philosophizing Rock Performance, Hollingshaus attracts at the paintings of those latter Continental thinkers to discover how we'd in a different way take into consideration Dylan, Hendrix, and Bowie.
This paintings is perfect for these within the fields of song background, functionality reviews, philosophy, American and eu cultural and highbrow historical past, and important theory.
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